‘This animation centres around the simulation of a body in a pool of water. The body is animated by strobing and dissolving to produce a jerky and subtly unnatural manner, relentlessly cycling through the same motions, like a dead frog twitching under electric shock. There is also an experiment in ‘synthetic cinematography’, in which many filmic effects such as hand-held camera, lighting changes and focusing are simulated.’ – Richard Wright.
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