Themes: Music and sound

Inner Outer Space

Lertxundi’s first film since relocating to Spain from California in 2019 is a triptych composed of three independent and yet interrelated pieces – Teatrillo, Inner

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Junkanoo Talk

Who has the right to speak about whom? An understanding from afar of the colourful world of Junkanoo, a carnival- like celebration of the Bahamas.

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Beyond The Substrata

Throughout 2019 artist Larry Achiampong developed new work in response to his residency with Waltham Forest Council. Working within an abandoned supermarket in Leyton, the

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Valeria Street

Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Valeria Street charts a personal-political

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Wow and Flutter

A portrait of a magnificent bird draws on the 30- year relationship between animal cognition scientist Irene Pepperberg and the African grey parrot she trained

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Receiver

A crossed telephone line propels Receiver into a suite of heated and intimate conversations in which we encounter scenes of protest at a university for

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Cymbeline

By curtailing a manager’s pompous introduction to a new romantic groups early performance and adding imagery rendered through the almost redundant technology of an e-reader,

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Prole Art Threat

The film was made by scratching stenciled text into the surface of the film material. The text is a sync’d replication of the lyrics from

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Circumstantial Pleasures

Klahr, whom critic J. Hoberman called “the reigning proponent of cut and paste” for his acclaimed collage animations, is best known for his seductive and

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Sunday’s Best

Sunday’s Best is a film and installation comprised of vivid audio and images of praise and worship sessions in a Ghanaian community church, married with

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A Distant Echo

A Distant Echo is a feature film that explores themes of myth, identity, culture and the construction of history. Shot on 35mm film, A Distant

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The Aphotic Zone

Aphotic – without light – refers to the depths of a body of water where sunlight does not penetrate. Across the five screens of ‘The

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INCIPT

‘INCIPIT’ presents the process of recording the score for ‘CANWEYE { }’, a film in which the image of the film set, between states of

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