Themes: Found Footage

Specialised Technique

William Sellers and the Colonial Film Unit developed a framework for colonial cinema, this included slow edits, no camera tricks and minimal camera movement. Hundreds

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Her Name in My Mouth

Invoking a lineage of female ancestors through embodiment, gesture and the archive, Her Name in My Mouth reimagines the Aba Women’s War, a major anti-colonial

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Sitting on a Man

Traditionally, women in Igbo speaking parts of Nigeria, came together to protest the behaviour of men by sitting on or making war on them by

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Hybrid Vigor

Hybrid Vigor brings together appropriated material from historical archives and contemporary society. Music replaces dialogue, lyrics in the songs address ideas present in the video.

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Disco Breakdown

Disco Breakdown is a performance video, one in a series of four ‘music video’ works that seek to ‘queery’ the music video format. Found footage

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An image of black women in white voluminous dresses with frills and colorful headpieces is projected onto a white wall and a glittery curtain drape.

She Was A Full Body Speaker

This video combines found footage from the artist’s personal archive and that of Liverpool based filmmaker Sandi Hughes (Rewind/Fast Forward). It explores cycles of trauma,

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Bball Curriculum

BBall Curriculum is an investigation around the male body in relation to the artist’s own through scenes of homosocial bonding where men dance, play ball

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interregnum

In 2008 de-regulated globalised finance capital brought the world to the brink of disaster. Its ideology of market fundamentalism and unconstrained corruption proved to be

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Abu Ammar is Coming

A photograph circulates, showing five men staring out of a window. Actually, only four look out; the last man breaks protocol and looks at the

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The Mission

A well known 35mm blockbuster trailer is cut up, dismantled, reassembled and re-edited with tape and scissors. Printed by torchlight and developed in a bucket…

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The Host

A filmmaker turns forensic detective as she pieces together hundreds of photographs in search of what she believes to be a buried history, only to

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The Makes

In 1967, following the success of Blow Up, Michelangelo Antonioni planned to make a film in Japan. The project was cancelled, and Antonioni opted for

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