
Glass Factory (Stekliani, 1972, Everyday)
‘After the factory closure, most of Vasily’s archives were destroyed by the looters. Only one can of film did survived – it was buried deep
‘After the factory closure, most of Vasily’s archives were destroyed by the looters. Only one can of film did survived – it was buried deep
A reflection on images of violence, the film strings together excerpts from Medoidze’s writing and archive footage. Filmed in the vicinity of Hotel Tbilisi, during
The Eternal Return, the third instalment in the Dissolution trilogy, posits a now-struggling Sabu in 1952 as he supports his family by performing in Tom
Lagerah – The Last Born is a work anchored around theories of abolition, rebellion, ancestral knowledge and love. Shot on location in Scotland, London and
Memories of Loitering brings moments from the artist’s past and present together through a spatiotemporal experience of mapping and slow burn. In its overlaying of
Through its anagrammatical title and anachronistic structure, rial & tERROR creates a fragmented, cross-generational narrative of the Iranian diaspora through moments of collective loss, longing
‘A Magical Substance Flows Into Me’ opens with a crackly voice recording of Dr. Robert Lachmann, an enigmatic Jewish-German ethnomusicologist who emigrated to 1930s Palestine.
Gaza, December 2023. A confrontation with a disturbing photograph on social media triggers questions about what it means to be an onlooker.
What is liberation when so much has already been taken? Who has come for more? “Golden Jubilee”, the third film in a series of works
Shot with 16mm film stock that expired in 2002—the same year as the state-sponsored anti-Muslim genocide in Gujarat—and filmed amid the anti-CAA protests in Delhi,
In 1961, 14 years after India gained independence from Britain, the Indian Armed Forces defeated the last remaining Portuguese colonizers in the newly formed state
Syncopated Green calls on the history of outdoor free parties to re-describe the English Countryside. The film listens to rave music, past and present, to
Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.
A nightmarish essay film on the history of the doorbell, tracing its invention and constant reinventions through 19th century labour struggles, the nascent years of
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