Read Only Memory
Maybury’s significant contribution to experimental film and video becomes apparent through a complex reworking of his own archive footage. “The film’s attempt to re-create an
Maybury’s significant contribution to experimental film and video becomes apparent through a complex reworking of his own archive footage. “The film’s attempt to re-create an
Reflecting on the premature death of a young dancer and artist, Heaven Or Montreal points to unfinished ideas, creating ‘outlines’ of lost energy and imagination.
This interpretation of the Sanchari Dance Company’s performance, The Lakes of the Eyes, was made for the camera. Mike Stubbs combines black and white with
An abstracted exploration of the movements of two female dancers. MacPherson presents a split-screen tableau, wherein the pair grapple, almost as though in conflict. The
TransVersum is a dance video directed by Marikki Hakola. The video is based on the original choreography by Ismo-Pekka Heikinheimo called “Come Quickly for I´m
Not filmed dance, but choreographed film. A four dimensional collage, of gestures made now, set against historical fragments. This tape is about the individual’s relationship
An unusual and highly original dance tape in which the camera itself is dancing. The motion, sound and editing are based on the concept of
A vivid hybrid of dance, performance and special effects featuring performers Robert Ashley and Julia Heyward, Cause and Effect was produced with REBO High Definition
Falling Under is a collaborative dance piece between Baldwin and choreographer Suzanne Watson. Using the music of John Surman , the piece is a lyrical
Choreographer AMY GREENFIELD shifted her focus from live dance to film and saw the shift as a way to reveal the dancer’s inner self rather
Swing’s The Thing features a dancer chromakeyed onto two dimensional backgrounds.
‘A dance filmed with Elaine Summers, in which the nude figure is placed against nature, in this case a particular and spherical sense of nature
A hypnotic dance film of colours, dancers, forms, music, all sweeping through the TV tube eye, mixed together into a flow of female bodies and
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