Themes: Dance

Patrick

Luke Fowler’s work has long asked how we come to know someone in their absence. He has explored this question by creating posthumous portraits of

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Collective Hum

A short film exploring the polyphony of collectivity in the desires, motivations and stories that foreground the histories and present(s) of Black British sound. Collective

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Bathing

Bathing explores themes of contamination, cleanliness, and debility through performance and dance. Between the performer’s movements, the video intersperses images of oil, spit, fluid landscapes,

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The Foundation

The Foundation combines footage shot around the Tom of Finland Foundation in Los Angeles alongside choreographed sequences in a specially-constructed set. Together they form a

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Specialised Technique

William Sellers and the Colonial Film Unit developed a framework for colonial cinema, this included slow edits, no camera tricks and minimal camera movement. Hundreds

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Her Name in My Mouth

Invoking a lineage of female ancestors through embodiment, gesture and the archive, Her Name in My Mouth reimagines the Aba Women’s War, a major anti-colonial

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We Need New Names

We Need New Names is an essay video work examining contemporary Nigerian diasporic female identity through the contradictions inherent to an ethnographic reading of the

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Sitting on a Man

Traditionally, women in Igbo speaking parts of Nigeria, came together to protest the behaviour of men by sitting on or making war on them by

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Grain

‘Grain’ (2016) is a portrait of Anna Halprin’s Mountain Home Studio built by her husband and environmental architect Lawrence Halprin (1916-2009). A voiceover from Daria

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Correspondência um

Correspondência um. is a collaboration with dance artist Susanne Mayer, taking its title from a year long correspondence and studio practice. The choreography for this

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Bball Curriculum

BBall Curriculum is an investigation around the male body in relation to the artist’s own through scenes of homosocial bonding where men dance, play ball

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Home

A short film depicting a woman putting her children to sleep, cleaning dishes, then dancing with a ghost. Shot on Super 16mm film, Home uses

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Catalogue

A portrait of Jennifer Pike (1919-2016) who together with Antrum, improvises where there is no given narrative: no definitive catalogue or index ‘about’, certainly no

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Dissonant

In Dissonant, Manon de Boer films dancer Cynthia Loemij while the latter dances for about 10 minutes to Eugène Ysaÿe’s 3 sonatas for violin solo

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