Psycho/Cyber consists of four extraordinary robot and virtual reality performances carried out all over the world.
A breathtaking computer animation exploring the aesthetics and ideology of the monarchist State. Broad sweeps of baroque and neo-classical imagery are laid bare to reveal
Sylvia Plath’s poem ‘Winter Trees’ is translated line by line into a personalised visual language. Computer aided collage juxtaposes live action with animation to create
Surreal and dream-like computer animation. Disembodied human hands everywhere!
Using 3-D animation Isabella Emslie creates a bizarre world in which household objects explore their space. Driven by a pulsing and percussive soundtrack the tape
An accomplished and absorbing work, opening with computer-generated shapes and symbols swarming onto the screen, resembling multiplying cells. A cascade of kaleidoscopic, hypnotic images follows,
This piece, conceived by John Rose, is an ironic reworking of musical history in state of the art computer graphics.
The Temptation of St Anthony is a visually rich poetic narrative, entirely synthetic in its making. State of the art computer graphics and digital video
1001 Boys Games was based on a poem written by the painter John Yeadon in 1983. It combines computer-generated drawings by Yeadon from his Impossible
David Garcia uses digital imaging techniques more because of the way they look rather than anything structural about their nature. His interest is in exploring
Fast-edited montage of computer animation with a speed soundtrack composed by R. Chatham.
Explanation is a computer-generated cross-hatch of lines that becomes three-dimensional, defining shapes in a synthetic landscape of gradually shifting image position and size.
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