Themes: Computer-generated

PHX [X is for Xylonite]

In ‘PHX [X is for Xylonite]’, the first semi-synthetic plastics are considered through their relationship to the chemical and industrial development of photography and film.

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15 days

Imran Perretta’s  video work 15 days, 2018 is inspired by the time that he spent with former inhabitants of the refugee camp near Calais, France

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Poemfield No.3

The series is called POEMFIELD. All of these films explore variations of poems, computer graphics, and in some cases combine live action images and animation

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Finding Fanon Part Two

Finding Fanon Part Two collides art-house cinema with digital culture’s Machinima, resulting in a work that explores the post-colonial condition from inside a simulated environment

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Through The Miniscope

An audio-visual experiment with electronic music directly influencing the image. The specially composed sound was fed into Helliwell `s self-built analogue video oscilloscope which generates

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20HZ

20 Hz observes a geo-magnetic storm occurring in the Earths upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio,

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Your Lips 3

This is the final ‘stand alone’ version of a computer generated graphic. First made on the Atlas SC4020 graph-plotter computer at the Atomic Energy Establishment

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From Earth

‘From Earth’, inhabits a parallel conceptual space as a fantastical documentary about the world’s demise and is bound together by a loosely spun sci-fi narrative.

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Realms Pin

Being at the same place at different times at once can grant a brisk distance from the emotional agitation in a certain toil of life.

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Brilliant Noise

Brilliant Noise takes us into the data vaults of solar astronomy. After sifting through hundreds of thousands of computer files made accessible via open access

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Purple Grey

A vivid imagination can be a seductive but debilitating distraction from life. Twisted fantasies, associations and flashbacks offer an enticing escape, and even a mundane

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Digital Aberration

A punishment for digital theory that the artist must programme – every cheap visual effect in the editing package and a sound track made with

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Arbitrary Logic

Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and later as part of

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