PHX [X is for Xylonite]
In ‘PHX [X is for Xylonite]’, the first semi-synthetic plastics are considered through their relationship to the chemical and industrial development of photography and film.
In ‘PHX [X is for Xylonite]’, the first semi-synthetic plastics are considered through their relationship to the chemical and industrial development of photography and film.
‘Ph03nix Rising: The Third Son’ is a short film and coming of age story. A textured synthesis of sci-fi, biblical and noir. Here late 20th
The series is called POEMFIELD. All of these films explore variations of poems, computer graphics, and in some cases combine live action images and animation
Finding Fanon Part Two collides art-house cinema with digital culture’s Machinima, resulting in a work that explores the post-colonial condition from inside a simulated environment
An audio-visual experiment with electronic music directly influencing the image. The specially composed sound was fed into Helliwell `s self-built analogue video oscilloscope which generates
The image was formed through a process of reflection and feedback. A modified video camera connected to a monitor and pointing at the screen, was
This is the final ‘stand alone’ version of a computer generated graphic. First made on the Atlas SC4020 graph-plotter computer at the Atomic Energy Establishment
‘From Earth’, inhabits a parallel conceptual space as a fantastical documentary about the world’s demise and is bound together by a loosely spun sci-fi narrative.
Being at the same place at different times at once can grant a brisk distance from the emotional agitation in a certain toil of life.
Brilliant Noise takes us into the data vaults of solar astronomy. After sifting through hundreds of thousands of computer files made accessible via open access
A vivid imagination can be a seductive but debilitating distraction from life. Twisted fantasies, associations and flashbacks offer an enticing escape, and even a mundane
A punishment for digital theory that the artist must programme – every cheap visual effect in the editing package and a sound track made with
Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title Osnabruk at the Osnabruk festival of 1987 and later as part of
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