“Empire of the Swamp” (2023) begins with a figure wandering from the mangrove swamps surrounding the city edges of Singapore to Bukit Brown Cemetery in
Immaterial Terrain is a film made by Emily Richardson along a seven-mile stretch of the Suffolk coast between Sizewell nuclear power station and the mythic
Evidence of things unseen but heard (2018) is an audiovisual collage conducted as an archaeological survey into the music scene of the city of Bristol,
In the spirit of the late filmmaker and poet, Margaret Tait (1918-1999), Being in a Place is as much a portrait of Tait’s beloved Orkney,
Black Sea is really Black is a road movie of sorts, tracing Medoidze’s car journey from the Cave City of Vardzia in Eastern Georgia to
The narrative follows a road movie schema, but only superficially: a Belgian actress arrives in Tbilisi airport to travel to the medieval cave city of
First film in Medoidze’s Tusheti Trilogy, Xitana is centred around a bareback horse race tradition in Tusheti mountains – a display of masculinity as much
For me the Tush people stand out for their dedication to their traditional way of life which is influenced by extreme weather conditions as much
The Edge of Forever (2022) centers on two questing children seeking to unravel the mysteries of a damaged world in a landscape loaded with symbolism.
Working with film footage from Screen Archive South East, spanning the 1930s to the 1970s, Blandy charts the protracted revolution from the age of horsepower
Violence of Order comprises a video projection landing on two delicate free standing pierced wood and copper wire structures. The wooden boards are cut, sliced
A solitary person stands in the middle of an empty grassy green ground in brilliant sunshine, laughing directly to camera. Laughter, absurdity, ridicule and humour,
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