
Little Flowers
Filming a simple display of spring wild flowers in a glass vase placed in a church window and patiently hoping that a ray of light,
Filming a simple display of spring wild flowers in a glass vase placed in a church window and patiently hoping that a ray of light,
‘Ain’t Got No Fear’ is a film which Mikhail Karikis created with a group of 11 to 13-year-old boys who are growing up in the
A man, a woman and their young daughter live together in an apartment in the Basque Country. Domestic chores and everyday gestures are superimposed onto
Dedication is a five-channel video installation. Dedication is a paean to ancient cross-species collaborative association between plants and fungi at the roots of most plants.
Sounds from Beneath began with the artist Mikhail Karikis inviting a coal miners’ choir to recall and sing the sounds they used to hear when they worked
“Empire of the Swamp” (2023) begins with a figure wandering from the mangrove swamps surrounding the city edges of Singapore to Bukit Brown Cemetery in
Immaterial Terrain is a film made by Emily Richardson along a seven-mile stretch of the Suffolk coast between Sizewell nuclear power station and the mythic
Evidence of things unseen but heard (2018) is an audiovisual collage conducted as an archaeological survey into the music scene of the city of Bristol,
In the spirit of the late filmmaker and poet, Margaret Tait (1918-1999), Being in a Place is as much a portrait of Tait’s beloved Orkney,
Black Sea is really Black is a road movie of sorts, tracing Medoidze’s car journey from the Cave City of Vardzia in Eastern Georgia to
The narrative follows a road movie schema, but only superficially: a Belgian actress arrives in Tbilisi airport to travel to the medieval cave city of
First film in Medoidze’s Tusheti Trilogy, Xitana is centred around a bareback horse race tradition in Tusheti mountains – a display of masculinity as much
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