ICO FEDS 2017: Film Exhibition, Distribution & Sales Trainee Scheme
Deadline: 3 January This year, LUX is participating in the Independent Cinema Office (ICO)’s FEDS scheme: a programme offering eight-month long paid traineeships at top
Deadline: 3 January This year, LUX is participating in the Independent Cinema Office (ICO)’s FEDS scheme: a programme offering eight-month long paid traineeships at top
The following text was written by A.L. Rees in 2002 as an overview of the work produced during the first decade of the London Film-Makers’
2016 marks the 50th anniversary of the founding of the London Film-Makers’ Co-operative (LFMC), a ground-breaking organisation that inaugurated a tradition for the production, distribution, and exhibition
A photograph of five men standing in front of a concrete wall, somewhere in Beirut. Four hold rifles. One looks toward the camera while the
In this previously unpublished text from 2002, Barry Miles surveys some of the activities in London’s counterculture at the time that the LFMC was formed.
On the occasion of the publication of the book Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative 1966-76 edited by Mark Webber (LUX, October
LUX is moving! After 14 years in Dalston, this Summer we are relocating to a new home in Waterlow Park, N19. Our new building, the Waterlow Park
Second post by LUX Artist in Residence Conal McStravick Stuart Marshall’s diversion into video can be considered in direct relation to his coming out; but
LUX Writer in Residence Ed Webb-Ingall continues to draw out the development of community video practices in London between 1968 and 1981. An ongoing collaboration
NewWorkUK is presenting Iain Forsyth & Jane Pollard: True Stories at the Whitechapel Gallery on Thursday 10th February at 7pm. Over the past decade, artists Iain Forsyth & Jane
NewWorkUK showcases the best of new British work and presents the London premiere of the project Thin Air by Paul Rooney. The premiere is happening
Rosa Barba’s sculptural installations bring projected image and recollected language, material and imagined object, into an oppositional and conflating dialogue. The works speculate on the nature of the
LUX, Waterlow Park Centre,
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