Call for Participation: LUX London Critical Forum 2022/23
Critical Forum is a monthly discussion group for artists who work with the moving image to talk about ideas and practice in a mutually supportive
Critical Forum is a monthly discussion group for artists who work with the moving image to talk about ideas and practice in a mutually supportive
Jenny Chamarette: Thank you so much for meeting with me, Evan. I was so pleased to be at the launch of the DWOSKINO commissions at
Jenny Chamarette: Thank you so much for meeting with me, P. It was fantastic to see HEVN premiered at the London Short Film Festival a
A note: I first saw Idrish (ইদ্রিস) as part of the programming team of Berwick Film & Media Arts Festival (BFMAF) where we programmed it
LUX is offering two desk-based residencies for emergent producers/ curators working with film and/or visual arts for 12 months from May 2022- April 2023 at
LUX is accepting applications for the LUX Curatorial Fellowship. The LUX Curatorial Fellowship is a new initiative which offers an emergent curator the opportunity to
In Sarah Turner’s Public House (2016) a chanted invocation rings out “vodka and lime, port and lemon”. This looped, inadvertent poetry is heavy with history,
Stephen Dwoskin’s characterization of Jacques Ledoux as ‘one of the few individuals to have had any true feeling and understanding of the independent, experimental and
We’re excited to announce that Sonya Schönberger is the artist in residence for the Goethe@LUX Residency 2019. Sonya Schönberger is a Berlin-based artist who combines
by Henry K. Miller Fifth in a series of monthly posts by Henry K. Miller from the Legacies of Stephen Dwoskin project based at the
We’re excited to announce that Rabz Lansiquot will be the LUX curator in residence for 2019 Rabz Lansiquot is a filmmaker, curator, and DJ. She
LUX is looking for a new external acquisitions advisor to work with LUX staff on the selection of new works and artists for the LUX
The question I am asked more than any other is ‘how do works get into the LUX Collection?’. This is a critical question in LUX’s
The stories circulate in many families, especially those with some connection to wildness, edges, ancient lonely places. You may have your own, but here is
First in a series of monthly posts by Henry K. Miller from the Legacies of Stephen Dwoskin project based at the University of Reading The
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