
Someplace in your Mouth
‘Some Place in Your Mouth’ is shot in the Forum car park on the edge of Palermo. Young men sit on bouncing mopeds; cars overloaded
‘Some Place in Your Mouth’ is shot in the Forum car park on the edge of Palermo. Young men sit on bouncing mopeds; cars overloaded
Brown Queers developed out of a need to create a docufiction of intersectional identity through multiple personas and styles in 2016, when the footage for
Lagerah – The Last Born is a work anchored around theories of abolition, rebellion, ancestral knowledge and love. Shot on location in Scotland, London and
BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors. Inspired by
Margaret Salmon’s three films collectively titled Ninna Nanna, depict the experience of three Italian mothers raising their children, with the films linked by a traditional
A portrait of American poet Eileen Myles. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.
Pure Means is two screen video work by P. Staff, shot in a California desert wilderness during the summer of 2021. Through scenes of volatility,
Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.
A meditation of the heartbreaking performance of identity. Inspired by material shot during a visit to Mike Wade studio on the Jurassic coast as he
The Blue Rose of Forgetfulness (2021, 63:30) is my latest feature length series of collage films, is a compilation of 6 films created between 2015
This work is one of only two remaining video pieces from a series started in 1974. Three other works were exhibited at the Video Show,
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