Blessed Blessed Oblivion
BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors. Inspired by
BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors. Inspired by
Margaret Salmon’s three films collectively titled Ninna Nanna, depict the experience of three Italian mothers raising their children, with the films linked by a traditional
A portrait of American poet Eileen Myles. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.
Pure Means is two screen video work by P. Staff, shot in a California desert wilderness during the summer of 2021. Through scenes of volatility,
Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.
A meditation of the heartbreaking performance of identity. Inspired by material shot during a visit to Mike Wade studio on the Jurassic coast as he
The Blue Rose of Forgetfulness (2021, 63:30) is my latest feature length series of collage films, is a compilation of 6 films created between 2015
This work is one of only two remaining video pieces from a series started in 1974. Three other works were exhibited at the Video Show,
Becoming Plant (2022) follows six dancers who participate in a therapeutic group experiment with psychedelics, while temporarily ‘living’ together on the demilitarised industrial site. While
A filmmaker travels to Japan to show a film and during the trip, a correspondence with a Scottish man about a murder and a chance
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