Filming a simple display of spring wild flowers in a glass vase placed in a church window and patiently hoping that a ray of light,

The video is presented in 7 sections each exploring and celebrating different qualities of light and dark through the interrelationships of movement, duration and sound

Just as a tree grows from its roots in the earth towards the sky. The image in APPEARANCE seems to ‘grow’ very gradually from the

BEECH TREE- ILLUMINATION was filmed over a 10 year period from 2010-20, it explores representation through the liminality of time, space and light in different

This twin screen video (set adjacent within a 16:9 format) celebrates the Beech Tree through changes in light, space and time, represented in the video

THE SEPARATION is a reflection on light, duration and visual transformation, filmed in one continuous take at a constant aperture. Moonlight on the sea surface

Through a handheld long continuous take of the surface of the pond which John Ruskin built in the grounds of his house at Brantwood, Cumbria.

Continuing with an exploration of landscape and concerns with observation, representation and duration, NOVEMBER MORNING also contributes to an ongoing philosophical film enquiry into time-space

Continuing with an exploration of landscape film and issues of observation and representation, SUNSPOT contributes to an ongoing philosophical film enquiry into space-time and an

As the harsh reality of Climate Change takes hold in the public imagination, the idea of nature as landscape becomes increasingly inappropriate. Landscapeis more than