Peaches And Cream

“The Collage paintings of Stanely Fisher: sin, sex, and gore blazing across the screen.” – P.M.
PEACHES AND CREAM which closes in on the paintings and closes in on the distance, is a spectacular success. The camera supplies visual movement to these spatially static canvases. Something is happening – never mind if its art. For five minutes or so, one can tap one’s foot to the music and look.” – Arts Magazine, Nov. 1969.