Essential to the making of the film was an examination of still photographs. Stills were used as clues to the past. Clues that would bring order and meaning to significant memories. – P.H.
“Hoffman’s film is in the experimental tradition of the personal diary although in this case a beautifully paced mixture of family photographs and dramatic reconstruction interwoven into a narrative creates an objective distance. On The Pond reveals skills of editing, sound and story-telling which evoke in ten minutes a complex and emotional study of a family, its past and present, its young dreams and its affections. Unsentimental, evocative and perfectly pitched in its emotional resonance, it avoids all the pitfalls of personal narrative and is an excellent example of the short film’s power when handled with skill, sensitivity and integrity.” – Michael O’Pray, Independent Means, Canadian Experimental Films at the L.F.M.C.
Menu
