‘In 1954, while working for the Kinesis distribution organization in San Francisco, Chistopher Maclaine was introduced to a San Diego newspaperwoman, Ettilie Wallace, who had produced an abstract motion picture utilizing images created by her “kaleidolight” box, an affair composed of coloured lights and revolving plastic forms. Miss Wallace was looking for a composer to add a music track to her film, and Maclaine offered his services, composing a score for drum, flute, and human voice. The completed film was entitled Moods in Motion.’ – Robert Pike
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.