“A hut in the middle of the desert. Some young people enter and exit the hut, take down its doors and windows, converting it into an open space. The dichotomy between inside/outside disappears; destruction leads to creation; freedom prevails as a radiant form of life. The relationship between what we see and what remains out of view, between image and sound, is of a purely natural, organic nature: Laida Lertxundi never deceives. With Footnotes to a House of Love, the filmmaker inaugurates her cycle of films made in Los Angeles and the surrounding areas, and she does so laying down the (visual and musical) constants that are to define her subsequent works. As from this time, her footsteps on Californian soil and the impression they will leave on experimental cinema will be indelible.” | -Javier Estrada
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.