Damaged Goods tells a tragic story played by porcelain figurines residing in a bric-a-brac shop. It explores notions of forbidden love, material wealth and class divisions using traditions of value within ceramics, while also turning the classic ‘rags to riches’ plot on its head with an unexpected twist. “The shelves in the film become the entire world for the characters,” Barford explains, “they represent different strands of society not necessarily through breeding but through material wealth with the top shelves adorned with lavish crystal, silver and gold objects while the floor is only occupied by broken discarded items.”
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