Beyond, Over, Conclude

‘Three images, three artists and a train of thought. A sculptor toys with objects soft, hard and organic, a painter conceives a preliminary sketch and an ex-sign writer extends his craftsmanship into old age. The film shares their contemplation of materials, the immediate environment and possible associations. A film triptych constructed using entirely in-camera masking techniques, where the traditional space of the cinema, the single horizontal, rectangular screen, is rejected in favour of three vertical strips of image.’