Babylon

‘The subject of Babylon is the unavoidable corrosion and disastrous power of technology and the decay of technological society. A superhuman creature learns about the vanishing world of the 20th century, its social icons, mythological events, technical ability and chaotic and bloody history, whilst taking a shit in a scrap yard. The tape is articulated through its setting in a landscape of scrap metal and the slickness of its production values (the use of a camera crane, 3D animation, digital effects and more).’ – Istvan Kantor