Credits as at 24/10/2008
Invited to contribute an ‘artistic family tree’ to the LUX Associations Project in 2008, I created a document of my significant influences as I perceived
Invited to contribute an ‘artistic family tree’ to the LUX Associations Project in 2008, I created a document of my significant influences as I perceived
In ‘A short video about Tate Modern’, I give an account of an experience that I had in October 2003 at Tate Modern in London;
Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the
Patrick Staff’s vibrant, colour-coded video uses text from Heinrich von Kleist’s 19th-century play of the same name to explore themes of persecution and punishment to
What are we doing together? A recurring question for the students of th film group at Dora Maar middle school, and for Éric Baudelaire who
Set on Essex Road among an established local community in Islington London, this film looks at the complex relationship between people and place. Growing up
Imbizo Ka Mafavuke (Mafavuke’s Tribunal) is an experimental documentary set at the edge of a nature reserve in Johannesburg. A kind of Brechtian Lehrstück, the film
United Red Army (The Young Man Was Part I) (70’, 2011) September 1977. The Japanese man speaks in halting English; the Bangladeshi negotiator with the
Afsan’s Long Day (The Young Man Was, Part II) (40’, 2014)January 1974. Or, Autumn 1977. Now, in a Dhaka flat, historian Afsan Chowdhury writes diary
Last Man in Dhaka Central (The Young Man Was, Part III) (82’, 2015) November 1975. The Summer of Tigers was a twilight moment for multiple
A photograph circulates, showing five men staring out of a window. Actually, only four look out; the last man breaks protocol and looks at the
This film is a photographic portrait in response to the idea of simplicity and poverty which is the guiding principle of the Poor Clares and
“While remastering Los Angles Plays Itself, I re-edited a number of clips, including The Takeover (Troy Cook, 1995), a grungy, sordid straight-to-video film remarkable only
A man called Jake lives in the middle of the forest. He goes for walks in whatever the weather, and takes naps in the misty
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