A satire of the political television spot, Perfect Leader shows that ideology is the product and power is the payoff. The process of political image
Video Times was realised for the Ikon Gallery, Birmingham, in 1984, and consisted of a videotape and a printed publication. The videotape consisted solely of
A sixty minute video of the artist watching television. This tape requires the hirer or purchaser of the work to play the video positioned in
The event was an experimental performance using slow-scan (freeze-frame) television to link three artists to the Netherlands, Canada and the United States, who had never
“A narrator describes the beginning of a television programme . It sounds like a ‘made for tv ‘ movie. He then describes a series of
TV Fighter is undoubtedly one of the few classics of British video art (Halls This is a Television Receiver is another). Not only does it
Working as a collaborative team from 1976 until 1982, John Sanborn and Kit Fitzgerald created influential works that broke new ground in their dynamic fusion
ALL SMILES AND SADNESS is like a very short TV show. Nothing is resolved and it leaves the viewer wishing it would go on forever.
The primary of Molten Horror is T.V. – though there are other horrors metaphored in the film. Four super-imposed rolls of handpainted and bi-packed television
LUX, Waterlow Park Centre,
Dartmouth Park Hill, London, N19 5JF, UK
Telephone: +44 (0)20 3141 2960
Sign up to our newswire to stay up to date with everything LUX
LUX is a registered charity and not-for-profit company limited by guarantee:
Company No: 4421812
VAT No: 795 9063 73
Charity No: 1094936
© 2021 LUX. All rights reserved.
