A poetic essay about loss and memory: twenty years after the death of a dear friend, the filmmaker re-enacts a journey on the Trans-Siberian train
Commissioned by the Hatton Gallery Newcastle for installation alongside Kurt Schwitters’ Merzbarn Wall, Throw Them Up and Let Them Sing explores the later years of
Three mythical stories from the island nation of Vanuatu, South Pacific, concerning the origin of humans, why pigs walk on all fours, and why a
“What would be left of human action, human traces, human constructions, human buildings and wider ripple effects of humans after that length of time…assuming, that
This film contrasts the mechanised activity of a plane ride and its effect on one’s awareness or even ability to see the passing landscape, through
In 1997, I wrote a story about a girl who travelled across Europe, Russia and Asia, filming the things she saw. That year, I contacted
“Chris Garratt’s films use a ‘structuralist’ project with wit and humour. In Romantic Italy the material is dense enough to allow a really thorough critique
In Underground Movie Tim Bruces camera takes a ride on the London tube to Euston station. The viewer has a spectators eye view of the
‘Colonial Difficulties is edited from footage shot in various parts of Australia, including Uluru (Ayer’s Rock), the Central Australian Desert, and in the McDonnell Ranges
“A meditation on history, memory, and change in Central and Eastern Europe, Buried in Light is a non-narrative journey, a cinematic collage. Cohen’s “search for
Flemming’s perilous travelogue recites, in first person voice-over, a tale of two cities. The first is Brindisi, where the patent sexism of her surroundings leads
Valtos is a story told from thirty years hence, in the last moments of its narrator, who awoke one day in 1987 ‘with the knowledge
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