Intimacy Archives - Page 2 of 4

Undercurrent 528

Undercurrent 528 draws on Stephen Dwoskin’s complex relationship with care, desire and everyday rituals as made visible in his vast oeuvre and reorients it from

The Hide

The Hide was shot over a three-year period (2019-2022), both in the remote mountainous region crossing Northern Portugal and Spain, and in Brussels. The work

Record

A larger than life tribute to Prince Philip, His Royal Highness the Duke of Edinburgh, recorded in 2002 and completed on the day of his

On a glowing led lightbox is a ceramic tray with erratic edges filled with blue liquid. A finger wearing a silver ring touches the power button on the lightbox

ZZZ

‘ZZZ’ is described by the artist as a ‘nocturnal work’. Within the video we hear a tired voice-over reading across her incomplete notes during the

It was a lover and his lass

“It was a lover and his lass” a single-channel, video collage by Stephen Sutcliffe takes its title and soundtrack from a song in Act 5,

City of Dreadful Something

City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from

UPROOTED

UPROOTED. A film about where the artist was born and grew up. The film is a poetic response to childhood, growing up in Guyana and

Sunday’s Best

Sunday’s Best is a film and installation comprised of vivid audio and images of praise and worship sessions in a Ghanaian community church, married with

They Call It Idlewild

Inspired by the forgotten histories, photographs and artworks uncovered in Wysing Arts Centre’s archive, Cammock’s new film acts as a reflection on the politics of

Surviving You, Always

The transcendental promise of psychedelic drugs versus a concrete and violent experience of metropolitan living. These two opposing realities form the backdrop for an adolescent

Your Estatic Self

Your Ecstatic Self follows a conversation unfolding in a car with Sajid. As the journey progresses Sajid discusses his engagement with the philosophy and practice

Solo Damas

Solo Damas rests upon a woman’s fragmented journey back to an island inhabited with decomposing dolls, haunting effigies symbolizing rebirth and transcendence. It talks directly

Weed Killer

Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the

Totally on Fire

Totally on Fire is a conversation across time that restages an exercise from the Esalen Institute, California in the grounds of the secular community Braziers

An image of black women in white voluminous dresses with frills and colorful headpieces is projected onto a white wall and a glittery curtain drape.

She Was A Full Body Speaker

This video combines found footage from the artist’s personal archive and that of Liverpool based filmmaker Sandi Hughes (Rewind/Fast Forward). It explores cycles of trauma,

Themes: Intimacy