BIMI and LUX Present:
The Rise of ‘Ruin Cinema’: Experimental Filmmaking in the US Rust Belt, 1970s-1980s (Part II)

2 December, 2017
– 2 December, 2017
11am – 6pm
Birkbeck Cinema
43 Gordon Square, London

While George Romero and Andy Warhol are often the first filmmakers that come to mind when people think about the Rust Belt city of Pittsburgh, Pennsylvania, there is much, much more to the city’s film history. The period of the 1970s and 1980s produced a number of significant, home-grown experimental and independent filmmakers whose treatment of class and economic turmoil, in the backdrop of Trump and working class antagonism, we cannot continue to ignore. Inspired by visiting artists (particularly Stan Brakhage) and the film program at the local art museum, and set against the painful backdrop of economic crisis, deindustrialization, and population loss, a variety of filmmakers rose up, operating in different genres (animation, found footage, documentary, narrative and experimental).
Spanning groups such as punks, aging hippies, art school dropouts, horror film fanatics, and unemployed steel workers, this movement made work that was linked by an all-encompassing interest in images of death, loss, deconstruction and chaos. More than that, several artists – in particular gay filmmaker Roger Jacoby and fine artist Paul Glabicki- deconstructed the essential components of the filmic medium, reworking aspects of filmic reproducibility to make works that existed as auratic paintings, with individual frames treated as important as the entire work itself.
– Ben Ogrodnik


Schedule

11:00 Introduction to ruin cinema and the milltown documentarians
12:00 Screening:

– Tony Buba, To my Family, 1972, 3 min * DVD

– Tony Buba, Sweet Sal, 1979, 26 min *DVD

– Steffi Domike, Women of Steel, 1985, 28 min *DVD

– Ross Nugent, 2013, 12 min *DVD

13:15 Post-Screening Conversation/Q+A
14:00 LUNCH
15:00 Lecture on Pittsburgh Avant-Garde
15:50 Screening :

– Peggy Ahwesh, The Color of Love; 10 min; 16m

– Roger Jacoby, Dream Sphinx Opera; 8 min; 16mm

– Paul Glabicki, Under the Sea; 22 minutes; 16mm

– Stephanie Beroes, The Dream Screen; 45 minutes; 16mm

– Jesse McLean, I’m in Pittsburgh (And It’s Raining), 14 min

17:30 Post-Screening Conversation/Q+A
18:00 Close

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