
N’importe Quoi (Extérieur – Jour)
The second part of the N’importe Quoi series, the first being N’importe Quoi (for Brunhild), also comprises footage of Brunhild Meyer-Ferrari at her home in
The second part of the N’importe Quoi series, the first being N’importe Quoi (for Brunhild), also comprises footage of Brunhild Meyer-Ferrari at her home in
Featuring Daily Photos and Observational Photos (both, 2000–2007) by Horst Ademeit (1937–2010), and an extract from Hemlock (2022) by Leslie Thornton. Special thanks to Fatima
The ‘Miniatures’ are an ongoing series of compact films Morgan Quaintance is continually producing. These short shorts are all under four minutes long and allow
How to Live was commissioned to reflect on the uncertain times that we found ourselves in during the Coronavirus pandemic. This new work shows the
A selection of objects from the eccentric collection of the McManus museum in Dundee, are reorganised into a new analogical composition, testing unexpected relationships between
Becoming Plant (2022) follows six dancers who participate in a therapeutic group experiment with psychedelics, while temporarily ‘living’ together on the demilitarised industrial site. While
Notes on relational optics.(or… what lens did I use and what it felt like to use it, how it affected my physical proximity to people
Changing Room is a video piece centred around the ceramic works made by George Cammock throughout his life, set in a space that has been
“A video still life is set to song – Laure Prouvost tells us about a fantastical birthday cake prepared for her brother. Just when you
Still life explores the transformation of an image from colour negative to colour positive on one film stock. The still life was painted its colour
Still Life – a bowl of fruit becoming a decaying bowl of fruit.Playing with structuralism, duration and the aesthetics of “a woman”
Still Life with Small Cup is a reworking of an etching by the Italian artist Giorgio Morandi. It is brought to life by scratching frame
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