Home Invasion
A nightmarish essay film on the history of the doorbell, tracing its invention and constant reinventions through 19th century labour struggles, the nascent years of
A nightmarish essay film on the history of the doorbell, tracing its invention and constant reinventions through 19th century labour struggles, the nascent years of
“Somewhere nearby is Colossal Cave. Magic is said to work in the cave. I will be your eyes and hands.” Excavated from the world’s largest
Out of the darkness a sound emerges. It echoes and drones. Terrified people take to the streets in search of its source. They get their
First film in Medoidze’s Tusheti Trilogy, Xitana is centred around a bareback horse race tradition in Tusheti mountains – a display of masculinity as much
For me the Tush people stand out for their dedication to their traditional way of life which is influenced by extreme weather conditions as much
The End of the World (2017) encloses the viewer in a planetarium style view of the solar system. The accompanying audio monologue intertwines examples of
This work comes as two forms, a VR based film and a single channel HD video file. The Archive (2017) is a video made inside
Dust to Data tracks through the colonial history of archaeology, to current parallels in the data mining of DNA and social media image banks. Working
Hercules: Rough Cut refers to the Roman version of the Greek Heracles, a series of stories rife with internal contradictions and gathered from multiple sources
How to Fly was commissioned to reflect on the uncertain times that we currently found ourselves in during the Coronavirus pandemic. This new works show
Silent film of the architectural design and layout of The Ark community in France, founded by Grace Ndiritu.https://www.thearkcenterexperiment.comCreated by artist Grace Ndiritu, The Ark: Center
Finding Fanon Part Two collides art-house cinema with digital culture’s Machinima, resulting in a work that explores the post-colonial condition from inside a simulated environment
In ‘How to Make Money Religiously’ (2014) two slightly altered versions of the same piece play sequentially in a loop, creating a moment of deja-vu.
Some Part of Us Will Have Become is the lament of a lone robot bearing witness to a man-made disaster. Made using internet streams captured
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