Deep in the earth beneath Arctic permafrost, seeds from all over the world are stored in the Svalbard Global Seed Vault to provide a backup
The Lay Shaft Drive is Down is a new film work by artist Helen Cammock, documenting a spoken and sung word performance imagined on the
Staff’s film, La Nuit Américaine, takes its title from the French term for the analog film technique of shooting by day, with a complex set
“Empire of the Swamp” (2023) begins with a figure wandering from the mangrove swamps surrounding the city edges of Singapore to Bukit Brown Cemetery in
Immaterial Terrain is a film made by Emily Richardson along a seven-mile stretch of the Suffolk coast between Sizewell nuclear power station and the mythic
The narrative follows a road movie schema, but only superficially: a Belgian actress arrives in Tbilisi airport to travel to the medieval cave city of
The Edge of Forever (2022) centers on two questing children seeking to unravel the mysteries of a damaged world in a landscape loaded with symbolism.
Working with film footage from Screen Archive South East, spanning the 1930s to the 1970s, Blandy charts the protracted revolution from the age of horsepower
A Blemished Code gives voice through spoken and sung script to the work and life of artist Margaret Benyon, a pioneer in the use of
The Blue Rose of Forgetfulness (2021, 63:30) is my latest feature length series of collage films, is a compilation of 6 films created between 2015
Hercules: Rough Cut refers to the Roman version of the Greek Heracles, a series of stories rife with internal contradictions and gathered from multiple sources
Becoming Plant (2022) follows six dancers who participate in a therapeutic group experiment with psychedelics, while temporarily ‘living’ together on the demilitarised industrial site. While
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