Eva 42 Years Old
“Laure Prouvost’s film opens with… the words, softly spoken, ‘My name is Eva, I am 43 years old’. A few seconds later we find ourselves
“Laure Prouvost’s film opens with… the words, softly spoken, ‘My name is Eva, I am 43 years old’. A few seconds later we find ourselves
A scribbled, strangely funny but highly unsettling examination of the human condition. The story of a man who bares his emotions, history, hang ups and
An unsettling take on the ‘natural history’ of our contemporary urban environment, recreating three reported incidents where humans and ‘friendly’ animals interact badly – a
‘Encounter in Space relates the story of a man and his alter egos, abandoned in the midst of an unknown extraterrestrial region, immersed in the
“Walking Off Court concerns a story I saw in the Times about a tennis coach called James Goodman who had a nervous breakdown around about
Written and produced: Andrew Fisher, Ed Devereaux, Brain Tapply, John Peel. This film, a short comedy, is a sequel to The Adventures of X, by
I can tell you that Wielands film holds. it may be about the best (or richest) political movie around. Its all about rebels (enacted by
A series of very short films, joined together in a single roll for consecutive showing one to nine. A typical film consisting of a 10
“An animated note to the audience. In a way an experiment in audience participation since it asks the audience to perform certain tasks.” – H.L.
Comic computer graphics with a sideswipe at the pretensions of athleticism, Going For Goldfish is a stylish spoof. “Figures are put on pedestals just to
‘THE TELLING shows McGuire telling two acquaintances a secret about her past using a three camera set-up in the Desi Arnez style. That intimacy is
The artist stalks and serenades Joe Dimaggio in her car as he strolls the docks unaware that she is videotaping his every step.
‘It is the first white turkey day for fifty years: snow abounds yet life goes on. A rousing soundtrack frog-marches on toward the pastry shop
‘Neurosis and sexual fervour spread like influenza in this Lorimar style satire on the devious practices of television evangelists, Jim and Tammy Baker. Kuchar expresses
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