Object Interviews (Part III)
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
Chromatic Aberration is a film which explores the early technologies of colour filmmaking drawn from the archives of George Eastman House, Rochester, New York. Featuring
Totally on Fire is a conversation across time that restages an exercise from the Esalen Institute, California in the grounds of the secular community Braziers
Correspondência um. is a collaboration with dance artist Susanne Mayer, taking its title from a year long correspondence and studio practice. The choreography for this
They Parlaient Idéale reflects on what it means to be a citizen of a nation, especially when one’s identity is rather ambiguous. A cross-generational and
Acting as part ode and through a series of interpretations, the film depicts young artists considering with sheer wonder who is given a voice.
Pitched between documentary and abstraction Anne, Richard and Paul is a portrait of the experimental music and performance trio Bow Gamelan Ensemble. Comprising archival footage,
‘Cloudberries’ was shot in Arctic Russia, on the Kola Penisula along the so-called Northern Sea Route during the hottest summer on record. It was filmed
Early Years is a portrait of Jamaican-born artistic polymath Barbara Samuels. It features an account of her first generation, diasporic experience in London, and her
Luke Fowler constructed this tribute to Scottish filmmaker and poet Margaret Tait on the occasion of her centenary. Setting off to Tait’s native Orkney, Fowler
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