Themes: Multi-screen and expanded

Razor Blades

Produced in association with the American Film Institute. (projection instructions: two 100′ reels to be projected side by side onto one very large screen or

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Mechanical Ballet

“Several areas of interest intersect in the making of Mechanical Ballet: an interest in ‘found’ footage (relating to collage, assemblage), the manipulation of the film

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Wind Vane

‘The spatial exigencies of twin-screen projection become of primary importance in this film because the adjacency of the screen images is related to the adjacency

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Hand Grenade

At first sight Hand Grenade is an abstract work in the tradition of Hy Hirsh or Mary Ellen Bute. However this short energetic extravaganza was

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Castle Two

This film continues the theme of the military/industrial complex and its psychological impact upon the individual that I began with Castle One. Like Castle One,

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Castle One

An expanded film piece, where the film is interrupted by random flashes from a light bulb which is hung in front of the screen. The

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Love Story 2

Double projection. No images, only colour, first changing slowly in spectrum order, yellow, or red, purple, blue, green, yellow.. and in other directions and in

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River Yar, Chris Welsby and William Raban, 1972

River Yar

We found our location – a view from an upstairs window in a water mill on the Isle of Wight. From this position a camera

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Choke

With a rock music soundtrack, Choke suggests pop art in its treatment of Piccadilly Circus at night. Multipally exposed and treated images mirror each other

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Description

Description is shown on two screens. Shot using two cameras simultaneously filming the same subject, it explores the way we extract meaning from the process

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Scratch Film No 1

Double screen projection. Originally a found film, the surface of the film has been scratched and painted on. The film includes stills which have been

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Oyinbo Pepper

A triple-screen film using old footage and photographs from Nigeria and the UK exploring the experience of being mixed race.

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Eiffel Trifle

In 1972 I burrowed myself into Paris with an even stronger determination, this time not for all of Paris, just to steal her ‘diamond’, The

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Berlin Horse

This film is largely filmed with an exploration of the film medium in certain aspects. It is also concerned with making certain conceptions about time

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