
Letter From Your Far-Off Country
Shot with 16mm film stock that expired in 2002—the same year as the state-sponsored anti-Muslim genocide in Gujarat—and filmed amid the anti-CAA protests in Delhi,
Shot with 16mm film stock that expired in 2002—the same year as the state-sponsored anti-Muslim genocide in Gujarat—and filmed amid the anti-CAA protests in Delhi,
“Who was Medea before she had children?” Inspired by the artist’s visit to historical cave pharmacy in Southern Georgia, and Roland Barthes’ idea of language
Syncopated Green calls on the history of outdoor free parties to re-describe the English Countryside. The film listens to rave music, past and present, to
Pure Means is two screen video work by P. Staff, shot in a California desert wilderness during the summer of 2021. Through scenes of volatility,
Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.
‘Glimpses from a Visit to Orkney in Summer 1995’ by Ute Aurand, 2020, 4:30Min, 16mm, silent Commissioned by “Margaret Tait 100” with thanks to Sarah
Evidence of things unseen but heard (2018) is an audiovisual collage conducted as an archaeological survey into the music scene of the city of Bristol,
In the spirit of the late filmmaker and poet, Margaret Tait (1918-1999), Being in a Place is as much a portrait of Tait’s beloved Orkney,
OUT OF MY BOX: 27 VIDEOS FROM LOCKDOWN is a curated review of short works by artist filmmaker Matt Hulse created during Lockdowns. Full of
Featuring Daily Photos and Observational Photos (both, 2000–2007) by Horst Ademeit (1937–2010), and an extract from Hemlock (2022) by Leslie Thornton. Special thanks to Fatima
The Blue Rose of Forgetfulness (2021, 63:30) is my latest feature length series of collage films, is a compilation of 6 films created between 2015
“FF Gaiden: Black Death continues Larry Achiampong and David Blandy’s remarkable body of work exploring the psycho-pathologies of racism as postulated by Frantz Fanon. Enlisting
Nazarbazi [the play of glances] is a film about love and desire in Iranian cinema where depictions of intimacy and touch between women and men
This short film was commissioned by HOME in Manchester for the Derek Jarman season. It played as an introduction for his film THE GARDEN and
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