Ijen / London
A short film made in preparation for a longer one called After London, where a young woman goes on a quest to find the mythical
A short film made in preparation for a longer one called After London, where a young woman goes on a quest to find the mythical
A film borne of walking through Hackney Marshes repeatedly in 2020 imagining my childhood – the things I experienced and those I wished I had,
Three sisters move through public/political space – a square, bridge, garden and hill- in this exploration of Black diaspora. Taking as its starting point empty
Throughout 2019 artist Larry Achiampong developed new work in response to his residency with Waltham Forest Council. Working within an abandoned supermarket in Leyton, the
A necessary youthful take echoing on questions of home, community and crisis in the metropolitan city of London.
the destructors is shot on location in Tower Hamlets, east London. Reflecting on Perretta’s experience as a young man of Bangladeshi heritage, the work reconsiders
‘nine nine nine nine nine’ amalgamates archival and recent 16mm footage filmed inside 53 Beck Road, one of several on a road of terraced houses
‘(Reprise) Sunday’s Best’ considers how belief systems within the diaspora are inflected by colonial histories. As part of his current research Larry Achiampong is interested
The transcendental promise of psychedelic drugs versus a concrete and violent experience of metropolitan living. These two opposing realities form the backdrop for an adolescent
‘Ph03nix Rising: The Third Son’ is a short film and coming of age story. A textured synthesis of sci-fi, biblical and noir. Here late 20th
British summer was shot on midsummer 2017 during the early production of Crowtrap, days after the Grenfell Tower tragedy. The image of the tower is
INFINITY minus Infinity draws on several inspirations: the modernist verse of the Jamaican poet Una Marson, the alluvial invocations of the Martinican philosopher and poet
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