Blessed Blessed Oblivion
BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors. Inspired by
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BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors. Inspired by
8 TOPAKETA is an ephemeral school and a collaborative 16 mm film project made in the mountains of the Basque Country based on a series
Dear Barbara, Bette, Nina, (2021) was commissioned as part of a project by Punto de Vista Film Festival in which several filmmakers were asked by
‘And still, it remains’ tells the story of Mertoutek, a village nestled in the Hoggar Mountains of Algeria’s Southern Sahara and home to the Escamaran
Syncopated Green calls on the history of outdoor free parties to re-describe the English Countryside. The film listens to rave music, past and present, to
‘The Chalk Factory’ was created in collaboration with workers with disabilities in Japan. Built in the dense industrial outskirts of Tokyo, Rikagaku Chalk Industries offered
‘Ain’t Got No Fear’ is a film which Mikhail Karikis created with a group of 11 to 13-year-old boys who are growing up in the
A man, a woman and their young daughter live together in an apartment in the Basque Country. Domestic chores and everyday gestures are superimposed onto
An experimental feminist opera-film about class and conflict, ‘History of the Present’ has been made collaboratively by Maria Fusco and Margaret Salmon, featuring new compositions
Sounds from Beneath began with the artist Mikhail Karikis inviting a coal miners’ choir to recall and sing the sounds they used to hear when they worked
Can sound mobilise socio-political and physical change? Working across film, sound and performance, Greek-British artist Mikhail Karikis adopts the children’s science fiction novel ‘The Iron
Evidence of things unseen but heard (2018) is an audiovisual collage conducted as an archaeological survey into the music scene of the city of Bristol,
A modernist monument in Tbilisi nicknamed Andropov’s Ears (after the then-head of the KGB, Yuri Andropov) has recently been demolished by the neoliberal Georgian government to be replaced by
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