LUX presents an evening of utopian speculation on the possibility of alternatives to the ‘networked state of mind’ that so pervades contemporary neoliberal and radical

Is it easier to create archaeology than science-fiction? Or perhaps, following Bergson’s description of the passage of time, we could say that we partake practically only in

In conjunction with ‘The Man with the Film Projector’ (23 April – 5 May 2015), Kao Chung-li’s first solo exhibition in the UK, LUX is

Whether working with video, photographs or drawings, the work of Toronto-based artist Jean-Paul Kelly (b. 1977) explores the relationship between “materiality and perception”. Kelly poses

In her poem The Breast Anne Sexton ends with the line, “I burn the way money burns,” suggesting the complex and contradictory nature of female

By withdrawing to Robert Di Niro evening classes, the web or internal musings, this collection of videos offers a variety of perspectives on aspirations and

alovestorysomewherearound2046: the agency stages a public conversation between artist Edgar Schmitz, curator Pieternel Vermoortel and agent Kate Kotcheff on the infrastructures of the cinematic industry. How

“Since 1989, Boston-based filmmaker Robert Todd has been quietly developing one of the most distinctive bodies of work in the American film scene. Todd’s beautifully

 ‘Collapsing In Parts: Footnote 4. And Yet, There They Still Are!’ A conversation and a screening programme presented by Cally Spooner and Sidsel Meineche Hansen, to coincide with Spooner’s show ‘It’s Collapsing