LUX presents a programme of short films by Zelimir Zilnik. This screening supplements 21st Century ZiInik at Close-Up Film Centre, the first UK survey of the work of Yugoslav-Serbian filmmaker, with a selection of nonfiction shorts made in the 1970s. The 1970s was a decade of transition for Zilnik, as he went into self-exile and worked between West Germany and Socialist Yugoslavia because of the furore surrounding his controversial debut feature-length film Early Works in 1969. Whether at home or abroad, Zilnik remained dedicated to an interventionist documentary mode that took aim at the faults in society while also probing the boundaries between reality and fiction. The films in this program deal with migration, labour, commerce, and antifascist revolutionary action. The artist will be present for a discussion.
Zilnik will also participate in a workshop at Goldsmiths on 13 November and a symposium at Birkbeck on 15 November.
Organised by Greg de Cuir, Jr. (Nonaligned Curator, Belgrade), with Dr. Vana Goblot (Goldsmiths) and Matthew Barrington (Birkbeck), and with kind support from CHASE. Special thanks to Zelimir Zilnik, Sarita Matijevic, and Playground Productions, for their support in making this program possible.
Programme:
Inventory, 1975, 9 min.
Tenants of one old building in the centre of Münich are featured in this film: most of them are foreigners who work in Germany as “guest workers” (Yugoslavs, Italians, Turks, Greeks). In their mother tongue, each of them tells who he or she is, and briefly talks about their major worries, new hopes and plans for the future.
Black Film, 1971, 14 min.
Market People, 1977, 30 min.
Uprising in Jazak, 1973, 18 min.