
A Letter (Side B) looks at the affective impact of history, immigration and geographical separation on two brothers living in Britain and Ghana. Through the
Think of Mascon: A Massive Concentration Of Black Experiential Energy as an audiovisual investigation into the gestures, geometries, grammars and geographies that compose the forms
“Two Refusals (Would We Recognize Ourselves Unbroken?)” is an experimental film focusing on interwoven narratives around the mutual struggle against Portuguese colonialism between India and
““But how can we be certain about an AI’s period of infancy?”” In this science fiction short, the sentient self-driving car Vanguard-3181 stands trial for
Europa, Mon Amour (2016 Brexit Edition) forms Chapter 8 of Lawrence Lek’s Bonus Levels (2013-2016), a series of site-specific video games based on alternate versions
Play Station™. Funemployment, Forever. Farsight Corporation welcomes you to Play Station™, our new range of automated workplaces! Enjoy the 9 to 5 life of leisure
Irish satirist, Jonathan Swift’s 18th-century novel, Gulliver’s Travels (1726) is interpreted through a re-cut of a 1939 animation of the book, resulting in the 16
The Silver Wave was an ‘Untold Stories’ commission for the Royal Albert Memorial Museum, Exeter. Inspired by objects from the Arctic region in RAMM’s collection,
The Eternal Return, the third instalment in the Dissolution trilogy, posits a now-struggling Sabu in 1952 as he supports his family by performing in Tom
‘The Fruit is There To Be Eaten’, the second instalment of the Dissolution Trilogy is based on Michael Powell and Emeric Pressburger’s Black Narcissus (1947).
Casting Kanchi (2015) is a spatialised and expanded version of House of Women (2017) and a response to the casting of white actor Jean Simmons
Elephant Boy (2016) sees Krishna Istha re-enact the introductory sequence of Zoltan Korda’s Elephant Boy (1937), in which child actor Sabu recites lines by rote
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