This work comes as two forms, a VR based film and a single channel HD video file. The Archive (2017) is a video made inside
‘Covid Messages’ is a video in six parts, based around broadcasts of Prime Minister Boris Johnson’s COVID-19 press conferences. The work focusses on the British
City of Dreadful Something, draws upon Herbert Read’s archive as a jumping off point, combining a poem by the late Martin Bell, cover visuals from
the destructors is shot on location in Tower Hamlets, east London. Reflecting on Perretta’s experience as a young man of Bangladeshi heritage, the work reconsiders
‘Ph03nix Rising: The Third Son’ is a short film and coming of age story. A textured synthesis of sci-fi, biblical and noir. Here late 20th
‘Object Interviews’, is a series of three films in which specialists from various fields interpret and discuss a range of film props. Part I features
‘Between the Bullet and the Hole’ is a film centred on the elusive and complex effects of war on women’s role in ballistic research and
Set on Essex Road among an established local community in Islington London, this film looks at the complex relationship between people and place. Growing up
Silent film of the architectural design and layout of The Ark community in France, founded by Grace Ndiritu.https://www.thearkcenterexperiment.comCreated by artist Grace Ndiritu, The Ark: Center
THIS IS A PROJECTION This is a projection This is a projector This is a slide projector This is a slide This is a series
In 2008 de-regulated globalised finance capital brought the world to the brink of disaster. Its ideology of market fundamentalism and unconstrained corruption proved to be
In the 1980s soldiers started appearing on the streets of Paris. They were part of “Operation Pirate Vigil” which usually lasted a few months after
United Red Army (The Young Man Was Part I) (70’, 2011) September 1977. The Japanese man speaks in halting English; the Bangladeshi negotiator with the
Afsan’s Long Day (The Young Man Was, Part II) (40’, 2014)January 1974. Or, Autumn 1977. Now, in a Dhaka flat, historian Afsan Chowdhury writes diary
A photograph circulates, showing five men staring out of a window. Actually, only four look out; the last man breaks protocol and looks at the
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