Themes: LGBT

The Eternal Return

The Eternal Return, the third instalment in the Dissolution trilogy, posits a now-struggling Sabu in 1952 as he supports his family by performing in Tom

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Brown Queers

Brown Queers developed out of a need to create a docufiction of intersectional identity through multiple personas and styles in 2016, when the footage for

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House of Women

In House of Women (2017), the artist recasts the role of a silent, dancing girl named Kanchi in the film Black Narcissus (1947). The coveted

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Casting Kanchi

Casting Kanchi (2015) is a spatialised and expanded version of House of Women (2017) and a response to the casting of white actor Jean Simmons

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For CA

A portrait of American poet CAConrad. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.

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Portraits

Series of portraits originating on standard 8mm, 16mm, mini-dv tape and 35mm still photograph: Jim Mellors/Victoria Ashley, surrealist artist. Tony Gross, optician. Vivienne Westwood, fashion

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Double Exposure

Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.

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Ungentle

Ungentle is a film based on a script by Huw Lemmey and co–directed with Onyeka Igwe, exploring the complicated relationship between British espionage and male

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Teleny

‘Teleny’ is a partial adaptation of Teleny, or the Reverse of the Medal, an anonymous pornographic novel published in 1893. Scenes of dialogue between the

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White Adonis

White Adonis is a video which references James Bidgood’s Pink Narcissus, while using as its inspirational myth the scene of Adonis’ death. The video was

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THE BUZZ OF THE PAST

This short film was commissioned by HOME in Manchester for the Derek Jarman season. It played as an introduction for his film THE GARDEN and

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Weed Killer

Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the

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The Prince of Homburg

Patrick Staff’s vibrant, colour-coded video uses text from Heinrich von Kleist’s 19th-century play of the same name to explore themes of persecution and punishment to

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