The Eternal Return
The Eternal Return, the third instalment in the Dissolution trilogy, posits a now-struggling Sabu in 1952 as he supports his family by performing in Tom
The Eternal Return, the third instalment in the Dissolution trilogy, posits a now-struggling Sabu in 1952 as he supports his family by performing in Tom
‘The Fruit is There To Be Eaten’, the second instalment of the Dissolution Trilogy is based on Michael Powell and Emeric Pressburger’s Black Narcissus (1947).
Brown Queers developed out of a need to create a docufiction of intersectional identity through multiple personas and styles in 2016, when the footage for
In House of Women (2017), the artist recasts the role of a silent, dancing girl named Kanchi in the film Black Narcissus (1947). The coveted
Casting Kanchi (2015) is a spatialised and expanded version of House of Women (2017) and a response to the casting of white actor Jean Simmons
Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.
White Adonis is a video which references James Bidgood’s Pink Narcissus, while using as its inspirational myth the scene of Adonis’ death. The video was
This short film was commissioned by HOME in Manchester for the Derek Jarman season. It played as an introduction for his film THE GARDEN and
A film borne of walking through Hackney Marshes repeatedly in 2020 imagining my childhood – the things I experienced and those I wished I had,
Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the
Patrick Staff’s vibrant, colour-coded video uses text from Heinrich von Kleist’s 19th-century play of the same name to explore themes of persecution and punishment to
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