Brown Queers
Brown Queers developed out of a need to create a docufiction of intersectional identity through multiple personas and styles in 2016, when the footage for
Brown Queers developed out of a need to create a docufiction of intersectional identity through multiple personas and styles in 2016, when the footage for
Lagerah – The Last Born is a work anchored around theories of abolition, rebellion, ancestral knowledge and love. Shot on location in Scotland, London and
BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors. Inspired by
A portrait of American poet Eileen Myles. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.
Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.
Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the
The Foundation combines footage shot around the Tom of Finland Foundation in Los Angeles alongside choreographed sequences in a specially-constructed set. Together they form a
A visually striking and frank documentary, EXILES OF LOVE, explores homosexuality’s ‘quality of darkness.’ Four gay men relate accounts of love, attraction, sex, encounters and
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