Themes: Gay and Lesbian

Brown Queers

Brown Queers developed out of a need to create a docufiction of intersectional identity through multiple personas and styles in 2016, when the footage for

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Blessed Blessed Oblivion

BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors. Inspired by

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For Eileen

A portrait of American poet Eileen Myles. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.

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For CA

A portrait of American poet CAConrad. Outtakes from the filming of I HOPE I’M LOUD WHEN I’M DEAD.

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Double Exposure

Double Exposure re-stages photographs of Pucill and her once partner, filmmaker Sandra Lahire that were made collaboratively shortly before Lahire’s death from anorexia in 2001.

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Teleny

‘Teleny’ is a partial adaptation of Teleny, or the Reverse of the Medal, an anonymous pornographic novel published in 1893. Scenes of dialogue between the

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Weed Killer

Inspired by artist-writer Catherine Lord’s memoir The Summer of Her Baldness (2004), a moving and irreverent account of the author’s experience of cancer. At the

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The Foundation

The Foundation combines footage shot around the Tom of Finland Foundation in Los Angeles alongside choreographed sequences in a specially-constructed set. Together they form a

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Hermes - Claudia Schillinger

Hermes

The film tells two stories, that of the man Hermes, who claims to love boys, and that of the film maker herself. Her questions about

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Exiles Of Love

A visually striking and frank documentary, EXILES OF LOVE, explores homosexuality’s ‘quality of darkness.’ Four gay men relate accounts of love, attraction, sex, encounters and

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