As a founder member of the Lodz Film Academy’s radical Workshop of Film Form in the early 70s, Wojciech Bruszewski’s multimedia experiments included “YYAA”, a 3-minute long primal scream in which changes in light exposure modulate the soundtrack. Other films, like “Tea-Spoon” and “Match-Box”, also challenged the viewer by manipulating expectations of synchronous sound and image, and his early video work examines the immediate relationship between camera, monitor and viewer made possible by instant playback or live feed technology.
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