“Take Measure is usually the shortest of my films, measuring in feet that intangible space separating screen from projector box (which is counted on the screen by the image of a film synchronizer). Instead of being fed into the projector from a reel, the film is strung between projector and screen. When the film starts, the film snakes backwards through the audience as it is consumed by the projector.” – William Raban, Perspectives on British Avant-Garde Film catalogue, 1977