Seen/Unseen: Again

‘The frame of the camera in 1973 leaves unseen what the artist can see. These initial experiments with the new medium of video were revisited in 2005 when work with digital media continued to develop. The original video was made using a Sony Portapak that had been acquired by Exeter College of Art where I had begun lecturing in time-based studies. The objects remain, unseen.’ Mike Leggett (2007)