In ‘Nostalgia’, I juxtaposed sequences of myself dancing in 1940s dress with photographs of my mother, Pamela Brendon, dancing with a wartime lover who was not my father. For me the war exists as a series of black and white adventures set to great dance music. It was also a time when codes of acceptable social behaviour broke down, and here I was intrigued by my mothers sexual license in an affair she would never admit to. CE
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.