Michael’s Theme uses previously unbroadcast fragments from the opening and closing of several episodes in the first two series of Parkinson from the 1970s. The work explores the talk-show convention of revealing the mechanisms of television-making, as well as the notion of improvisation within the ‘recorded- as-live’ TV format and within the repeated live renditions of the jazz theme tune in those earlier episodes. These excerpts and the theme tune for the programme are used as a point of departure to consider the relationship of a live studio audience, crew and talk show host each to other, and how their complicit relationship anticipates the audience who will watch the deferred broadcast.’ – Kathryn Elkin
