A short film about the Argentine electroacoustic composer Beatriz Ferreyra, an original pioneer of early musique concrète alongside Pierre Schaeffer during the ’50s and ’60s. Here she discusses her ‘sound hunting’ recording techniques, and other thoughts on sound montage and spatialisation. Featuring creaking doors, barking dogs and rainbow hands.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.