‘A horizon of what is possible within cinematic practice.’ – Michael O’Pray.
‘Objects in the world given luminousness, light, are here less apprehendable to knowledge than that which has less light. What is there in never not the real. No recognition. Absence of the subjectivity of the body’s scale. The simultaneity of abstract and real is not constant, it wavers, although the attempt is to make it constant.’ – P.G. 1988. Filmed in Prague.
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