The Canary Wharf tower, with its glittering facade, serves as William Raban’s Sundial, casting a shadow both literal and symbolic over London’s beleaguered Docklands. making a witty comparison between the post-industrial East End and the aggressive capitalism represented by the tower, this is the first part of Raban’s East End trilogy.
This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.