Sarah Pucill’s films and photographs explore the mirroring and merging we seek in the Other; a sense of self which is transformative and fluid. Her work is concerned with the idea that as subjects we are not separate. Pucill’s individual cinematic language emerged in the 1990s in the context of visual arts and experimental film. Focusing on the materiality of film and the body, she creates a vivid and unsettling psychic world that sets up the imaginary as a potential site of resistance.
Contents
You Be Mother (1990)
Milk and Glass (1993)
Backcomb (1995)
Mirrored Measure (1996)